The current works emerge from a condensation of earlier visual systems. Motif fragments, symbols, and spatial arrangements are no longer developed but are instead placed in new relationships. The images oscillate between construction and dissolution, between narrative allusion and open structure.
Literature, science, architecture, music, landscape, and personal experience do not come together here as separate themes, but as equal levels within a shared visual space. Their interplay gives rise to open, multi-layered visual systems whose meaning deliberately remains in flux.
The focus is not on the individual motif, but on the relationship between the elements. Economic, metaphysical, and personal spaces intertwine without coalescing into a clear narrative. The works conceive of the image as an open system—as a place where different realities can coexist.
Within this body of work, various energetic states emerge: conflict-laden density coexists with transformatively charged color spaces and open, fluid transitions. Between grounding and transcendence, resistance and lightness, a field of tension arises that describes not so much a linear development as an ongoing process.
The works shown here are a selection from the artist’s series created in recent years. An expanded portfolio featuring additional series is available upon request.

My painting emerges from the tension between reference and autonomy. Photographic or real-world references are dissolved in the process and transformed into autonomous pictorial structures in which material, color, and density convey the meaning.
As a process-based practice, my work navigates the space between autonomous painting and its role as a form of translation within a social context—between mediation, production, and authorship.
