
In these works, different worlds converge: literature and personal experience, science and spirituality, architecture and nature, social reality and imagination.
What matters is not their separation, but what can develop between them.
Figures, symbols, memories, and concrete motifs intertwine with color, gesture, and abstract forms. There is no set narrative and no single interpretation. Contradictions are allowed to remain; thoughts can change, and new connections can emerge.
Earlier works and series of works dating back to 1995 can be viewed in the archive. An expanded portfolio is available upon request.
The starting point for these works is concrete images and experiences—landscapes, architecture, photographs, texts, or observations. In the process of painting, these references are dissolved, layered, and transformed into independent visual worlds.
Color, material, gesture, and spontaneous decisions transform the subject. Representational elements remain recognizable but lose their original clarity. The result is images that exist somewhere between reality and abstraction, control and chance, personal experience and the present.
Painting does not simply depict reality. It opens up the possibility of seeing reality in a new light.