Artist Nikolaus Kriese
Nikolaus Kriese is a German painter whose work spans more than three decades. Trained as a theater painter, he developed an independent visual language rooted in the material presence of painting— figurative, gestural, and resistant to conceptual currents.
His paintings explore the tension between figure and resolution, surface and stillness. Each work insists on its own reality—not as an illustration, but as a picture.
Born in Erfurt , Nikolaus Kriese works throughout Germany and internationally. His projects include collaborations with industry, science, and the media , as well as portrait painting and large-scale murals.
About my work
I have been working as a freelance artist and commissioned painter since 1995 - in Germany and internationally. My focus is on free painting, individual commissioned art and portrait painting. I create acrylic and oil paintings in various formats - from large-format canvases to detailed portraits. Each work is unique, developed in dialog with the space, theme and commission.
For me, art means presence, not illustration. The focus is on materiality, color and the painterly process. Whether figurative or abstract - each painting asserts its own reality. I am not interested in decoration, but in filling spaces with meaning.
My works are created between intuition and structure - supported by precise craftsmanship and creative experience. They move in the field of tension between surface and depth, color and stillness. In addition to classical painting, my repertoire also includes wall designs, façade works and projects in public spaces - as well as interdisciplinary collaborations with science, media and industry.
Projects & clients (selection)
Numerous projects are created on behalf of or in collaboration with companies, institutions and collectors worldwide:
Siemens Mobility, Huawei, Jung von Matt, Ensinger Plastics, ThyssenKrupp Marine Systems, Aldi Nord, Archdiocese of Berlin, Brunata – Metrona, KAUST – King Abdullah University of Science and Technology, Kakoii, Scrivo, Sparkasse Mittelthüringen, QCore, Institut Montana, Frankfurt University Hospital, Rösle, Dr. Suwelack, Hugo Boss, Werner Companies, Group DF, Centuros, PrivatCapital Immobilien, JCK Holding, Seaship Cont GmbH, Parfümerie Albrecht, REMA Group, Permira, Popp Fahrzeugbau GmbH, Kleiner Stanztechnik, BUGA 2021, Hamburger Kunsthalle, Deutschlandfunk, Pipilotti Rist – as well as for numerous private collectors.
A feature from Deutschlandfunk >> https://www.hoerspielundfeature.de/freistil-ist-das-noch-kunst-oder-schon-werbung-100.html
Commissioned painting based on Caspar David Friedrich. Advertising film for Huawei, produced by Jung von Matt at Atelier Nikolaus Kriese and the Hamburger Kunsthalle, 2019.
Color, tracing and construction
Between clarity, dissonance and free gesture
2002 until today
What appears clearly organized and structured does not always fit together harmoniously. In this ongoing work phase, Nikolaus Kriese explores the tensions between order and deviation, between color surface, line and emotion.
The works are characterized by a lively, often largely abstract colourfulness, with a clearly discernible separation of forms and planes. Again and again, a cool blue dominates, interspersed with dissonant, surprising color contrasts. The picture surfaces appear like fragmented sections of the world or deliberately delimited color field compositions that defy clear classification.
At the same time, many of these works allude to art historical positions from more recent eras - sometimes as a quotation, sometimes as a playful break. The painting technique and use of materials are correspondingly variable. The oil works on canvas in particular display a colorful, impasto materiality that is often expressed in experimental color combinations and layering.
Many works are serial reworkings, painted over, transformed, rethought. They are complemented by expressive drawings, inspired by everyday life, as a visual search for traces in the now. Pure colors, contrasts, open forms and graphic lines meet cosmic plays of color and intuitive image construction.
Here he does not paint according to a concept - but from the moment: as an artist who constantly renegotiates color, form and the present.
Space Architecture & Landscape.
The invention of another reality.
2009-2017
In the creative phase from 2009 to 2017, Nikolaus Kriese's focus was on exploring space, architecture and landscape. It was a time of intensive exploration - not of the visible world, but of its possibilities. The works of these years reinvent reality: in multi-layered pictorial worlds in which naturalistic, modern and traditional views merge into a new whole.
Kriese developed his motifs from everyday encounters - with buildings, interiors, urban structures, objects and landscapes. He transformed these impressions into independent compositions on canvas: realistically structured, colorful and always interpretative.
The combination of multicolored and monochrome surfaces, of representational and expressive elements, created a unique pictorial logic. The clear division of space, object and surface gave rise to pictorial spaces in which the visual remains open - anything is conceivable.
During this phase, Nikolaus Kriese painted with oil and acrylic paints on canvas. The color was usually applied directly - often definitively. Each work follows an inner order in which certain forms or themes are repeated: a quiet seriality that characterizes his style.
The rooms are almost completely deserted - quiet, uninhabited, sometimes cool. Even where plants or objects appear, a certain distance remains. Architecture, everyday objects, fragments of nature appear as independent actors - precisely composed, often in large format.
This phase shows an artist who does not depict but rethinks, who does not illustrate but makes visible. His painting remains open - and consistently beyond the mainstream.
The world as a construction kit
Collage-like image stagings between architecture and imagination
In many of Nikolaus Kriese's works, the world is transformed into a visual construction kit: spaces, objects and landscapes are recombined - not by chance, but as a conscious construction of a different reality.
The combination of real existing elements creates new contexts. For example, when photorealistic architecture suddenly appears in intensely colored landscapes or carefully painted objects become legible as artificially inserted elements. These are pictorial worlds that read like collages, but are staged on the canvas with painterly precision.
Quite a few of these pictures are like nature: they don't ask questions - but they do provide answers. Kriese opens up new spaces with his compositions: flying objects, children's toys, stairways, glimpses, passages, doors to another dimension. New worlds emerge against a familiar backdrop.
Stylistically, the work is characterized by strong colour contrasts, a clear architectural structure and naturalistic attention to detail. Whether closed shutters, deserted offices or meticulously drawn lines - everything appears deliberately placed and at the same time mysterious. The rooms often appear deserted, large-scale, slightly gloomy and imbued with a quiet mysticism.
Kriese gives his pictures little white space, but plenty of room for interpretation and atmosphere. The penchant for detail, the combination of structure and the surreal - all this makes his art an invitation: not just to see, but to experience.
Pure colors
Color as material, emotion, explosion
This series of works focuses on pure, intense colors - both as a material and as an expression. Powerful compositions are created on handmade frames, in which free-form gestures, putty, pigment and oil paint combine to create a colorful orchestration. The paintings come alive through their materiality - impasto, built up in layers, almost corporeal.
Pigments are mixed, smoothed, mixed with oil and raised to their highest luminosity. The colored surfaces interact directly with each other, reacting, repelling or attracting each other. It is a dialog from surface to surface, from color to color - raw, playful, expressive.
The motifs are created in the work process itself. Spontaneity and structure, emotional gesture and objective restraint meet here. These pictures show a world in which color itself becomes a motif - as an energetic force, as a mood, as a possibility.
New spaces open up between the expressive power of color and controlled composition. A playful, almost fairytale-like dimension emerges - with echoes of nature, of forest landscapes, of a mystical outside. Yet the works remain abstract - they build bridges to reality without imitating it.
These images do not demand anything - but they do challenge.
Crystal clear constructed reality
Spaces of light, line and imagination
2007-2016
What places do we carry within us? When does imagination become space? And when does this space become real?
The works from 2009 to 2019 are dedicated to these questions - with a focus on transparency, construction and composition. Glass is at the center: glass bricks, bottles, windows, marbles, glasses, gemstones - translucent materials that reflect light and provide structure at the same time. In some pictures, a small windmill can be seen - almost lost - on the horizon.
The pictorial architecture is precisely geometric, often almost technical. Red surfaces set accents in a predominantly bluish color space. Some works open up to the open landscape, others create artificial spaces. But the composition always remains controlled, the structure clearly conceived - a play with order and surface.
The sky plays a central role in many of these pictures. Objects appear to float, often removed from their physical gravity. The result is an impression of weightlessness, of rapture. The forms remain cool, almost sterile - a visual language reminiscent of New Objectivity, but at the same time deeply metaphorical.
The works create zones of imagination: places of retreat, mental landscapes, spaces for fantasy. They open up new dimensions - as inner architecture as well as playful construction. The world appears here as a construction kit: open to variation, characterized by structure - and carried by a quiet, crystal-clear mystery.
Quiet places
Architecture, memory, and the question of home
2003–2007
Places without people. But full of history. In this phase of his work, the artist Nikolaus Kriese devotes himself to the quiet presence of traditional architecture in expressive landscape spaces - rooted in the Thuringian Forest, in meadows, light and memory.
It's about feelings of home, about the question: Where is what we call home? When we drive out, through villages, forests, fields - when are we really there? What remains when people are no longer to be seen, but their traces remain visible?
The works from these years show village house facades, courtyards flooded with light, abandoned houses, windows and doors - silent witnesses to a harmonious, almost idealized reality. Architecture is shown here not only as a structure, but as a carrier of stories, as a perspective on real life.
With open colors, clear compositions and a penchant for atmospheric calm, he creates contemporary documents - images that are not loud, but resonate for a long time.
These works open our eyes to the familiar - and leave room for our own memories. Quiet places - not past, but preserved in color, form and light.
Painting & Commissioned Painting
– An Interview with Artist Nikolaus Kriese 2023
Nikolaus Kriese has been an artist and commissioned painter since 1995. Today, he is one of the most successful artists in his niche. Born in Erfurt, he sells his paintings to customers from all over the D-A-C-H region via his website. But his customers also include international & prominent clients, such as companies and collectors. He creates colorful acrylic paintings and authentic oil paintings for them. We asked the creative free spirit about his career, how he has developed as an artist, which projects he has already realized and how important digital visibility can be for modern artists.

The sun casts long shadows on the facades of the former factory premises on Weimarische Straße in Erfurt. Cars speed past the large gate entrance, on which "KONTOR" is written in stone letters above the entrance. Behind it is the studio of Nikolaus Kriese, who welcomes us with a hot cup of coffee in his hand. In the past, flower seeds were packaged here on the premises, which were grown in the fields behind, the painter tells us as he shows us around the formerly derelict premises. They are now used by a carpentry workshop, a yoga studio and creative people for their activities. "I've had everything I need here since 2016: bright rooms for painting and a depot for my work as well as the wild nature around it, where I can relax."
The Thuringian was born with a "creative streak", he tells us with a level-headed smile. "I started painting and drawing at an early age and was very lucky that my parents and teachers supported my talent from the very beginning." At the age of five, he had his first art exhibition at home. In the 10th grade, Nikolaus Kriese finally went to an art boarding school and received his first art scholarship from the Sparkasse. "With 10,000 marks in my pocket, I decided to drop out of school. In search of inspiration and with the desire to develop myself creatively, I traveled the world for a few years and painted," recalls the now father of four.
A symbiosis of painting and architecture
Back in Germany in 2002, Nikolaus Kriese decided to train as a theater painter in Erfurt and Berlin for three years "to gain a foundation in artistic practice". During this time, he received a second art scholarship. All signs pointed to self-employment. In 2006, the painter founded his "Atelier Nikolaus Kriese". "At the time, I even had a permanent job offer from the theater in Plauen, but I made a conscious decision to be a freelance artist. I wanted to use the power and abilities of my imagination to capture things and depict them through the medium of painting. I wouldn't have been able to do that in this form within the fixed structures of a theater painter. Nevertheless, I am very grateful for this time," recalls the artist, who now also offers facade painting for companies. In 2019, he was commissioned to design the façade of the gymnasium in the Geraaue as part of the BUGA. A façade design with ginkgo leaves by Nikolaus can be seen on Goethestrasse in Erfurt, as well as a painting with child-friendly motifs on the outside roof of the children's cancer ward at Helios Klinikum. "Façade painting is one of my specialties and is always extremely appealing, as it combines architecture and painting. The external appearance of a building is primarily determined by the façade. It is an essential part of the exterior space and the face towards the city and the public."
"In my portrait paintings, I aim to portray people as naturally as possible and capture their personality in an advantageous way"
Nikolaus primarily works as a modern portrait and commissioned painter. "Portraying a person on canvas is a very challenging but also exciting task. In my portrait paintings, I aim to depict people as naturally as possible and capture their personality in an advantageous way," explains the creative mind as he shows his latest work on the easel. Whether business or family portraits - Nikolaus usually works with photographic templates, on the basis of which he creates hand-painted works using lightfast oil paints on canvas. His customers include families, art collectors and entrepreneurs who order their individual works directly from Nikolaus' website. "But I also produce professional art copies for clients, whether old masters or modern works, motifs from the Renaissance or the Baroque.
For example, I created a full-size copy of Ernst Ludwig Kirchner for a doctor's surgery in Berlin. This year I was commissioned to paint a frigate for Thyssenkrupp, which was presented as a gift to the Egyptian navy. For the CEO of Siemens Mobility, a 3×2 m painting of a postcard from the 1920s of Potsdamer Platz. A few years ago, for example, the Thuringian realized a major marketing campaign with Huawei, for which he made a copy of a Caspar David Friedrich painting, which then hung next to the original in the Hamburg Kunsthalle for a day. "Thanks to my +25 years of experience, the possibilities are almost unlimited."
The modern artist should not close his mind to innovation

The artist receives orders almost exclusively via his online store. How important is it to have a professional digital presence as an artist in 2023 if you want to make a living from your work? "Being found on the web as an artist is essential if you are also looking for national and international clients. That's why I got involved with online marketing when I started my own business. The art market is constantly changing, so it is particularly important to always have your finger on the pulse. At least if you want to make a living from your work. I've also had countless exhibitions in Erfurt, but I mainly sell online - including my freelance work," explains Nikolaus as he pours us a fresh cup of coffee. As we step outside into the garden, he adds: "In addition to all the digital possibilities, the basis for success as an artist is knowing your own worth and sticking to it. You should also always be open to innovations in the art world, keep trying things out and keep learning. Traveling abroad is also beneficial to gather new inspiration. The profession of an artist today is no longer just about being free-spirited. As an entrepreneur, you need a clear daily structure, good communication with customers, professional online content and reliability - then monetization can also succeed."
Intense and expressive images
The painter would like to continue working and living in Thuringia. However, Nikolaus Kriese states when we return to his studio to take photos for this article that it doesn't really matter where he lives. His dream is a house with a studio in Switzerland. While we chat about dreams for the future, Nikolaus takes his free works out of his depot, their vibrant colors shining brightly in the midday sun. "Before I start painting, I have an intention inside me and want to give it a form, to bring the thought to canvas - intensely and expressively." Experimentation is important to the painter in his free works. Sometimes he paints for a few hours, sometimes for days or even weeks at a time. And when Nikolaus positions himself next to his large-format abstract paintings in his studio and we set up the camera for the artist portrait, we realize once again that art is more than just paint on canvas. Works of art are direct expressions of inner images and they are just as diverse as their creators themselves.
The interview was conducted by: TKAK












































