Studies are an integral part of my process-based painting. They are created alongside larger works and serve to experiment with form, color, and material within an open-ended creative process.
Unlike self-contained works, the focus is not on the final form, but on revealing the creative process: the structure remains rough, transitions are left open, and the choices made are transparent.
The result is work that is conceived less as a finished painting and more as a direct trace of painterly movement—somewhere between an attempt, a condensation, and a dissolution.
The works shown here are a selection of pieces from recent years.
I can send an expanded portfolio featuring additional groups of works upon request.

My painting emerges from the tension between reference and autonomy. Photographic or real-world references are dissolved in the process and transformed into autonomous pictorial structures in which material, color, and density convey the meaning.
As a process-based practice, my work navigates the space between autonomous painting and its role as a form of translation within a social context—between mediation, production, and authorship.
