Studies
Studies are an integral part of my process-based painting. They are created alongside larger works and serve to experiment with form, color, and material within an open-ended creative process.
Unlike self-contained works, the focus is not on the final form, but on revealing the creative process: the structure remains rough, transitions are left open, and the choices made are transparent.
The result is work that is conceived less as a finished painting and more as a direct trace of painterly movement—somewhere between an attempt, a condensation, and a dissolution.
The works shown here are a selection of pieces from recent years.
I can send an expanded portfolio featuring additional groups of works upon request.
The tension between the original and painterly independence
My painting emerges from the tension between reference and autonomy. Photographic or real-world references are dissolved in the process and transformed into autonomous pictorial structures in which material, color, and density convey the meaning.
As a process-based practice, my work navigates the space between autonomous painting and its role as a form of translation within a social context—between mediation, production, and authorship.
